How to view ‘The Wizard of Oz’ with Pink Floyd’s ‘Dark Side of the Moon’

https://www.youtube.com/watch?v=P_5ENgepTzs

Urban legend claims that if you play Pink Floyd’s Dark Side of the Moon while watching “The Wizard of Oz,” there’s an incredible synchronicity that could only come about had the band literally planned the entire album around the movie.

Pink Floyd has denied the rumor outright for years, with Floyd drummer Nick Mason giving one of our favorite answers to MTV in 1997: “It’s absolute nonsense. It has nothing to do with ‘The Wizard of Oz.’ It was all based on ‘The Sound of Music.’”

OK. So those evil flying monkeys could be symbolic Nazis. But it sure seems like Wizard of Oz is a better fit — at least, hearing the line “I don’t know; I was really drunk at the time” while we gaze upon Munchkin Land seems like a pretty realistic reaction.

There are plenty of tidy thematic coincidences between Wizard of Oz and Dark Side of the Moon. The movie’s keynote song, “Over The Rainbow,” fits neatly with the iconic, light-splitting prism design used for the album’s cover art. The album boasts the song “Great Gig in The Sky,” which sounds like the perfect name for a song to go with a movie about a tornado.

For the most part, the biggest coincidences seem to show up on the first trek through the album. That may be due to greater familiarity (and, by extension, observational powers) of what’s going on in the movie and on the album. Or, it could be that writing an album to hold up through two and a half cycles isn’t exactly easy — or, possibly, wasn’t even done in the first place.

In our book, this urban legend lands somewhere between reading a horoscope and analyzing literature: There’s probably some truth in it somewhere, but finding the “truth” relies upon the user doing a lot of mental heavy lifting, and those theories may not match up with what the authors actually intended. Judge the coincidences for yourself.

Regardless, this was a fun way to spend a Saturday night. Warning: Even if you love Dark Side, you’ll probably want to have something else to listen to for a few weeks after doing this.

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David Gilmour: Why I’m Bringing Back Pink Floyd After 28 Years

The courage of the people of Ukraine inspired Gilmour and drummer Nick Mason to release their first new song as Pink Floyd since 1994: “We want to spread this message of peace, and we want to raise the morale of the people who are defending their homeland”

A few days after Russia invaded Ukraine, singer-turned-soldier Andriy Khlyvnyuk posted video of himself belting “The Red Viburnum in the Meadow” — a folk song about the country’s strength in the face of adversity — to Instagram. The vocalist, who fronts the Kyiv group Boombox, had hoped to be playing gigs in the U.S. last month. But when he heard Russia had invaded his homeland, he returned to defend it. At the outbreak of the war, he told Rolling Stone he felt it was his duty to stick up for Ukraine for the sake of the world. “[The West] needs us as the shield to protect it all,” he said.

In the video, he’s wearing fatigues and clinging to a submachine gun as he serenades the empty streets: “Our glorious Ukraine shall hey, hey, rise up and rejoice.”

Pink Floyd’s David Gilmour watched the clip with awe. “My daughter-in-law, who actually is Ukrainian, sent it to me and I thought, ‘Wow, that’s fantastic,’” Gilmour tells Rolling Stone. “It just struck me that here we are, with our name [Pink Floyd] and this platform, and we could use it more. That piece of singing immediately got me thinking of turning it into something.” So he sequestered himself in his studio, figured out the chords that would support Khlyvnyuk’s powerful vocals, and wrote what became “Hey, Hey, Rise Up” — the first new Pink Floyd recording in nearly 30 years.

“I thought this could be something that we use our platform for, for enormous good,” Gilmour says. So I called [Pink Floyd drummer] Nick [Mason] up and said, ‘Did you want to be a part of it?’ And he said, ‘Yes, great.’” Last week, the pair, along with bassist Guy Pratt and keyboardist Nitin Sawhney, recorded the song, which sticks to the traditional melodies of the folk song (notwithstanding a few emotive guitar solos) at Gilmour’s home studio with a projection of Khlyvnyuk’s original video. It was the first time Gilmour and Mason had recorded a new Pink Floyd song since the sessions for 1994’s The Division Bell.

Gilmour had closed the book on Pink Floyd after 2014’s The Endless River, which he and Mason had built from recordings made during the Division Bell sessions. But with “Hey, Hey, Rise Up,” he changed his mind. Pink Floyd rushed to release the song quickly to raise awareness for the civilians suffering in Ukraine and to raise money for humanitarian relief in the country.

“I hope the song does some good,” Gilmour tells Rolling Stone, explaining why he decided to resurrect Pink Floyd. “I hope we achieve something with it.”